When Sam Mendes was chosen to direct “Skyfall,” Hollywood skeptics raised some concerns, prime among which was: Can Mendes, who has never made an action movie per se, pull it off, not to mention the fact that his last two films were both artistic and commercial flops (the war film “Jarhead,” the serio comedy “Away We Go”).

It’s is therefore a pleasure to report that Mendes has done his homework and has directed one of the most thrilling and entertaining movies in what has become the longest series in American film history, beginning precisely 50 years ago with “Dr. No.”

Mendes’ direction and the end result of “Skyfall” are much better than the previous chapter, “Quantum of Solace,” helmed by Marc Forster, which was mediocre (though this was not entirely its director’s fault).

“Skyfall,” in one word, is terrific, a mass oriented but intelligent film that delivers the goods in every department: story, characterization (both heroes and villains), performances, and, of course, technical production values.

At this point in history, the James Bond franchise is so well established that it has become a multi-generational phenomenon and  almost (but not quite) critics proof. Here is the evidence.  In 2006, the first Craig’s Bond film, “Casino Royale,” received 94 percent approval from the reviewers and grossed $167.0 million at the domestic box-office.  Two years later, “Quantum of Solace” got only 65 percent positive reviews, but still made the same amount of money in the U.S., $168.0.  If my reading of the film is valid, with strong critical support, Sony stands a strong chance to surpass these figures on November 9, when the movie opens theatrically.

Daniel Craig is back for the third (and thus far best) time as James Bond in the 23rd installment, turning in his most compelling performance as 007, and one of his strongest in an increasingly growing and impressive career.

The filmmakers, both Mendes and his writers, Neal Purvis, Robert Wade and John Logan, have drawn a rather sharp and engaging tale that is more grounded in our charged socio-political times, while not neglecting the expected qualities of any Bond movie.

The premise of the narrative is rather simple: Bond’s loyalty to M (Judi Dench, brilliant) is tested as her past returns to haunt her.  The headstrong agent must track down and destroy the threat, no matter how personal the cost—or the number of chases and size of explosions, all of which are outlandish in a big Hollywood way.

When Bond’s latest mission goes uproariously wrong and several undercover agents spread around the globe are exposed, MI6 is attacked, forcing M to relocate the agency.  A strong, proud officer, M doesn’t take the shambles lightly, and nor do her superiors. The embarrassing events shatters M’s authority, to the point where her position is seriously challenged by Mallory (newcomer to the series, Ralph Fiennes), the new Chairman of the Intelligence and Security Committee.

The above premise makes “Skyfall” more relevant and timely movie vis-à-vis the security debacle in Libya (which the filmmakers could not have anticipated or take into account), and in terms of the growing unrest and anti-American feelings in many Arab countries in the Middle East.

Defeat, failure, or even compromise, are not words that M can tolerate, not for too long.  However, with MI6 now compromised from both inside and out, M realizes that there is only one ally she can really trust: Bond.

If memory serves, the part of M has increased considerably in the last three Bond, and we are all better for it, not only because of the superb interpretation of Judi Dench, but also (or mainly) because of the strong rapport and the pull-and push forces in her interactions with Craig.

A decision is made to place 007 in the shadows, allowing him assistance by only one field agent. Eve (Naomi Harris, who should become a bona fide star).  Singly and jointly, they engage in tracking and following Silva (Javier Bardem), a villain to end all villains, whose motives, both overt and covert, are a mystery.

Since scribes Purvis and Wade have written other Bond scenarios, my feeling is that the contribution of John Logan (“The Aviator,” among others) is truly strategic. Hailing from the theatre world, Logan is particularly adept with sharp characterization and authentic dialogue, not just witty one-liners, as was the case of many former Bond pictures.

Better than the usual norm for Bond stories, the high quality of the writing has direct iupact on all of the performances, not just Daniel Craig’s.

Judi Dench, returning for her seventh film as M, again gives an outstanding performance that draws on her strengths (unique voice and delivery mode) as an actress. Dench finds the right balance between showing her known fondness for 007—you may recall that she has been accused of preferential treatment towards him—and being cold, detached, and even ruthless,, when there’s need for it, in crisis situations, such as the current one.

But the film’s shrewdest piece of casting is getting the enormously talented Javier Bardem to play Silva, the man who puts MI6 at risk.  Five years later, I still can’t forget his scary, Oscar-winning performance in the unforgettable role of Anton Chigurh in the Coen brothers’ best film, “No Country for Old Men.” 

Known for his penchant for dark and complex characters, Bardem understands that the key to the effectiveness of the great Bond villains (Dr. No, Rosa Klebbs) is striking a fine line, sort of a balance between grounded realism and excessive flamboyance, occasionally relying on theatrical devices that make their role all the more noticeable and frightening.  As Silva, Bardem is by turns credible, compelling, playful, mischievous, strange, mysterious, and dangerous.

But throughout, the film is peppered by cameos or small parts, played by Ralph Fiennes, Bérénice Marlohe, Ben Whishaw, and Albert Finney, all nailing their parts in brief but well written scenes..

In a recent interview, the producers have acknowledged that they were particularly attuned and sensitive to the fact that 2012 marks the 50th anniversary of James Bond.  As a result, they must have had a check list with all the variables that account for a fun and satisfying Bond film, including non-stop action, scene-stealing villains, beautiful women (in and out of bikini), exotic locations, a killer theme, and, of course, the Aston Martin DB5.

Like “Dark Knight Rises,” but unlike “The Avengers,” “Skyfall” proves that big, entertaining, and glamorous features do not have to be silly or utterly escapist, that it’s possible to combine values of mass spectacle with some social ideas or political issues, even if they are just mentioned, without fully exploring them.

No James Bond film is really complete without a good, melodic and moody theme song,  A whole history of popular music could be written just by enlisting the composers and singers who have contributed to the franchise over the past half a century, including Shirley Bassey, Tom Jones, Carly Simon, Paul McCartney, Nancy Sinatra, and Madonna.

In choosing the popular singer Adele, ”Skyfall” brings a contemporaneous, up-to-the moment touch that should appeal to younger viewers.  Adele, who co-wrote the song with Paul Epworth, must have listened to many previous Bond themes, for her contribution is at once particular and also fitting into the series’ long-held musical tradition.

Classic film and horror fans can look forward to seeing three different screen personas emanate from the master thespian: a loveable rogue, an innocent victim, and a defiant victim, all departures from Karloff’s more iconic ‘master of menace’ persona. The Boris Karloff Triple Feature includes:

West of Shanghai (1937)

This film sees Karloff don the robes of Chinese bandit turned Warlord, General Fang, alongside a truly terrific ensemble (including Ricardo Cortez, Beverly Roberts, Gordon Oliver and Sheila Bromley) in this Asian flavored adaptation of the Western drama “The Bad Man.”

The Invisible Menace (1938)

Karloff is the lynchpin for the munitions murder mystery/wedding night farce, playing Jevries, a quiet, embittered victim of a criminally enterprising ordinance expert. When that expert turns up dead, all suspicion falls on Jevries.

Devil’s Island (1939)

Karloff delivers a total knockout as a doctor set against the disease of France’s notorious penal colony system. Righteous, defiant and unwilling to surrender, Karloff’s Dr. Charles Gaudet deserves his place within the cinematic pantheon of truly cool convicts.

When Sam Mendes was chosen to direct “Skyfall,” Hollywood skeptics raised some concerns, prime among which was: Can Mendes, who has never made an action movie per se, pull it off, not to mention the fact that his last two films were both artistic and commercial flops (the war film “Jarhead,” the serio comedy “Away We Go”).

It’s is therefore a pleasure to report that Mendes has done his homework and has directed one of the most thrilling and entertaining movies in what has become the longest series in American film history, beginning precisely 50 years ago with “Dr. No.”

Mendes’ direction and the end result of “Skyfall” are much better than the previous chapter, “Quantum of Solace,” helmed by Marc Forster, which was mediocre (though this was not entirely its director’s fault).

“Skyfall,” in one word, is terrific, a mass oriented but intelligent film that delivers the goods in every department: story, characterization (both heroes and villains), performances, and, of course, technical production values.

At this point in history, the James Bond franchise is so well established that it has become a multi-generational phenomenon and  almost (but not quite) critics proof. Here is the evidence.  In 2006, the first Craig’s Bond film, “Casino Royale,” received 94 percent approval from the reviewers and grossed $167.0 million at the domestic box-office.  Two years later, “Quantum of Solace” got only 65 percent positive reviews, but still made the same amount of money in the U.S., $168.0.  If my reading of the film is valid, with strong critical support, Sony stands a strong chance to surpass these figures on November 9, when the movie opens theatrically.

Daniel Craig is back for the third (and thus far best) time as James Bond in the 23rd installment, turning in his most compelling performance as 007, and one of his strongest in an increasingly growing and impressive career.

The filmmakers, both Mendes and his writers, Neal Purvis, Robert Wade and John Logan, have drawn a rather sharp and engaging tale that is more grounded in our charged socio-political times, while not neglecting the expected qualities of any Bond movie.

The premise of the narrative is rather simple: Bond’s loyalty to M (Judi Dench, brilliant) is tested as her past returns to haunt her.  The headstrong agent must track down and destroy the threat, no matter how personal the cost—or the number of chases and size of explosions, all of which are outlandish in a big Hollywood way.

When Bond’s latest mission goes uproariously wrong and several undercover agents spread around the globe are exposed, MI6 is attacked, forcing M to relocate the agency.  A strong, proud officer, M doesn’t take the shambles lightly, and nor do her superiors. The embarrassing events shatters M’s authority, to the point where her position is seriously challenged by Mallory (newcomer to the series, Ralph Fiennes), the new Chairman of the Intelligence and Security Committee.

The above premise makes “Skyfall” more relevant and timely movie vis-à-vis the security debacle in Libya (which the filmmakers could not have anticipated or take into account), and in terms of the growing unrest and anti-American feelings in many Arab countries in the Middle East.

Defeat, failure, or even compromise, are not words that M can tolerate, not for too long.  However, with MI6 now compromised from both inside and out, M realizes that there is only one ally she can really trust: Bond.

If memory serves, the part of M has increased considerably in the last three Bond, and we are all better for it, not only because of the superb interpretation of Judi Dench, but also (or mainly) because of the strong rapport and the pull-and push forces in her interactions with Craig.

A decision is made to place 007 in the shadows, allowing him assistance by only one field agent. Eve (Naomi Harris, who should become a bona fide star).  Singly and jointly, they engage in tracking and following Silva (Javier Bardem), a villain to end all villains, whose motives, both overt and covert, are a mystery.

Since scribes Purvis and Wade have written other Bond scenarios, my feeling is that the contribution of John Logan (“The Aviator,” among others) is truly strategic. Hailing from the theatre world, Logan is particularly adept with sharp characterization and authentic dialogue, not just witty one-liners, as was the case of many former Bond pictures.

Better than the usual norm for Bond stories, the high quality of the writing has direct iupact on all of the performances, not just Daniel Craig’s.

Judi Dench, returning for her seventh film as M, again gives an outstanding performance that draws on her strengths (unique voice and delivery mode) as an actress. Dench finds the right balance between showing her known fondness for 007—you may recall that she has been accused of preferential treatment towards him—and being cold, detached, and even ruthless,, when there’s need for it, in crisis situations, such as the current one.

But the film’s shrewdest piece of casting is getting the enormously talented Javier Bardem to play Silva, the man who puts MI6 at risk.  Five years later, I still can’t forget his scary, Oscar-winning performance in the unforgettable role of Anton Chigurh in the Coen brothers’ best film, “No Country for Old Men.” 

Known for his penchant for dark and complex characters, Bardem understands that the key to the effectiveness of the great Bond villains (Dr. No, Rosa Klebbs) is striking a fine line, sort of a balance between grounded realism and excessive flamboyance, occasionally relying on theatrical devices that make their role all the more noticeable and frightening.  As Silva, Bardem is by turns credible, compelling, playful, mischievous, strange, mysterious, and dangerous.

But throughout, the film is peppered by cameos or small parts, played by Ralph Fiennes, Bérénice Marlohe, Ben Whishaw, and Albert Finney, all nailing their parts in brief but well written scenes..

In a recent interview, the producers have acknowledged that they were particularly attuned and sensitive to the fact that 2012 marks the 50th anniversary of James Bond.  As a result, they must have had a check list with all the variables that account for a fun and satisfying Bond film, including non-stop action, scene-stealing villains, beautiful women (in and out of bikini), exotic locations, a killer theme, and, of course, the Aston Martin DB5.

Like “Dark Knight Rises,” but unlike “The Avengers,” “Skyfall” proves that big, entertaining, and glamorous features do not have to be silly or utterly escapist, that it’s possible to combine values of mass spectacle with some social ideas or political issues, even if they are just mentioned, without fully exploring them.

No James Bond film is really complete without a good, melodic and moody theme song,  A whole history of popular music could be written just by enlisting the composers and singers who have contributed to the franchise over the past half a century, including Shirley Bassey, Tom Jones, Carly Simon, Paul McCartney, Nancy Sinatra, and Madonna.

In choosing the popular singer Adele, ”Skyfall” brings a contemporaneous, up-to-the moment touch that should appeal to younger viewers.  Adele, who co-wrote the song with Paul Epworth, must have listened to many previous Bond themes, for her contribution is at once particular and also fitting into the series’ long-held musical tradition.

Don’t be deterred by the title, which refers to the beekeeping profession of the father of the protagonist, a young Spanish girl who becomes obsessed with horror and death after watching the classic American film “Frankenstein,” directed by James Whale and starring the iconic actor Boris Karloff at his scariest.

That she watches the movie with her older sister (Isabel Tellurian) in a collective setting, at a town-hall screening, orchestrated by a traveling film truck, makes it all the more significant.

Over the years, we have seen great child performances, but arguably, along with the child-stars of “Ponnette,” and “Forbidden Games,” Ana Torrent gives one of the most touching and accomplished ones.

Director Erice’s film output is unfortunately small. But in this picture, singled out by many critics around the world as one of the most mesmerizing children stories, Erice has captured the inbred morbidity of childhood fantasies as arguably no other filmmaker ever has.

The saga’s political-historical setting is crucial: “Spirit of the Beehive” is set in a tiny village on the desolate Castilian plain in 1940, a year after the end of the traumatic Spanish Civil War. That war is never mentioned explicitly in the movie, but it nonetheless cast an indelible darks shadow on its young heroine—and on the viewers.

It’s a must-see film. Among other things, “Spirit of the Beehive” has influenced the work of Spaniard Carlos Saura and more recently Mexican Guillermo Del Toro, whose Cannes-premiered “Pan’s Labyrinth” (and other children horror tales) owes a debt to Erice.

The Exorcist
The Exorcist: The Version Youve Never Seen
Exorcist II: The Heretic
The Exorcist III
Exorcist: The Beginning
Dominion: Prequel To The Exorcist

For the first time ever, every movie in the Exorcist story will be available in one six-disc, must-have DVD box set — The Exorcist: The Complete Anthology –available from Warner Home Video on October 10.

A cinema landmark, The Exorcist re-defined the modern horror movie, and has been acknowledged as one of the scariest movies ever made. Its enduring legacy has spawned the unforgettable set of films in this anthology: The Exorcist: The Version Youve Never Seen, Exorcist II: The Heretic, The Exorcist III, Exorcist: The Beginning and Dominion: Prequel to The Exorcist.

The Exorcist: The Complete Anthology is a horrifically entertaining must-have box set, and will be available at the collectible price of $42.92 SRP.

The Exorcist (Original Version)

This is the original theatrical version of the film that scared the world! The Exorcist delivered a cultural earthquake that is still felt today, shocking and enthralling audiences, who had never seen anything like it. Directed by William Friedkin and written by William Peter Blatty (from his best-selling novel), The Exorcist won the Academy Award for Best Adapted Screenplay.

The film tells the now-famous story of a girls demonic possession, and a gripping fight between good and evil. Linda Blair plays the young girl, Regan, who starts to exhibit strange, arcane behavior. Her mother (Ellen Burstyn, Oscar-winner for Best Actress Alice Doesnt Live Here Anymore) calls upon a priest, Father Karras (Jason Miller) to investigate. But Karras, who has self-doubts about faith, is suddenly confronted with unimaginable evil of Regans possession. When Father Lankester Merrin (Max Von Sydow), a priest with a mysterious past, is called to help, a horrific battle for her soul begins.

The Exorcist: Version Youve Never Seen

This remastered edition of The Exorcist proved to be a huge box-office draw, decades after its initial theatrical release. Director William Friedkin added previously unseen footage, including a horrifying spiderwalk scene that is as jaw-dropping and spellbinding as the best scenes of the original version. With remixed sound and an expanded story, this version of The Exorcist is a must-see for every fan of the film.

Exorcist II: The Heretic

Richard Burton (Whos Afraid of Virginia Woolf, The Sandpiper) stars as Father Lamont, a priest who answers the call to fight the forces of evil. Once again, Regan (Linda Blair) is threatened with demonic possession, and Father Lamont must first travel to Africa to find out how to stop the madness. This time, however, the demon not only threatens Regan, it reaches out for the soul of Father Lamont as well.

Exorcist II: The Heretic also stars Louise Fletcher (TVs ER), Kitty Winn, Paul Henreid (Casablanca), James Earl Jones (Star Wars), Ned Beatty (Deliverance) and Max Von Sydow (Minority Report).

The Exorcist III

Written and directed by Blatty, The Exorcist III stars George C. Scott (Academy Award winner, Best Actor Patton), as a police investigator pitted against the supernatural. The events from the original The Exorcist have spawned an unholy serial killer, a vengeful spirit who resides within a priest. Lt. Kinderman (Scott) must join forces with the church in a desperate bid to stop a malignant evil from spreading, while the stakes for an exorcism prove more dangerous than ever. The Exorcist III also stars Ed Flanders, Brad Dourif, Jason Miller and Nicol Williamson (Spawn, Excalibur).

Exorcist: The Beginning

In one of two thrilling prequel versions to The Exorcist Director Renny Harlin (The Covenant, Cliffhanger, Die Hard 2) delivers a pulse-pounding tale of Father Merrins first encounter with the demon Pazuzu, years before the events of The Exorcist. Stellan Skarsgrd (Pirates Of The Caribbean: Dead Mans Chest) plays Father Merrin, who tries to put his past confrontation with the Nazi evil of World War II behind him. While on an archeological expedition to Africa, Merrin finds a long-secret church, hidden where it shouldnt be. As the expedition digs further, they uncover something awful, ancient and very much alive something that drives all who come in contact with it to madness and worse. Loaded with action and sizzling special effects, Exorcist: The Beginning delivers a bold new chapter in The Exorcist saga.

Dominion: Prequel To The Exorcist

This is a completely different version of Father Merrins first encounter with Pazuzu. Director Paul Schrader (writer of Taxi Driver and Raging Bull) delivers a dark adventure of psychological horror, as Father Merrin (again played by Stellan Skarsgrd) wrestles with his personal demons. Forced to make a horrible life and death choice during World War II, Merrin is scarred by the Nazi atrocities of the war, and haunted by his own feelings of guilt. On an archeological trip to Africa, an ancient church is uncovered, and demonic forces are unleashed. As violence and horror descend upon the expeditions camp, Merrin battles to retain his humanity as the forces of the demon threaten his very soul.

Running Time

The Exorcist Run Time: 122 minutes
Dolby Digital 5.1 Surround Sound English Audio French subtitles

The Exorcist: The Version Youve Never Seen 132 minutes Dolby Digital 5.1 Surround Sound English Audio French subtitles

Exorcist II: The Heretic: 118 minutes Dolby Digital 2.0 Sound English audio French, Spanish subtitles

The Exorcist III: 110 minutes Dolby Digital 5.1 Surround Sound English audio

Exorcist: The Beginning Run Time: 114 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

Dominion: Prequel To The Exorcist Run Time: 117 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

The Exorcist
The Exorcist: The Version Youve Never Seen
Exorcist II: The Heretic
The Exorcist III
Exorcist: The Beginning
Dominion: Prequel To The Exorcist

For the first time ever, every movie in the Exorcist story will be available in one six-disc, must-have DVD box set — The Exorcist: The Complete Anthology –available from Warner Home Video on October 10.

A cinema landmark, The Exorcist re-defined the modern horror movie, and has been acknowledged as one of the scariest movies ever made. Its enduring legacy has spawned the unforgettable set of films in this anthology: The Exorcist: The Version Youve Never Seen, Exorcist II: The Heretic, The Exorcist III, Exorcist: The Beginning and Dominion: Prequel to The Exorcist.

The Exorcist: The Complete Anthology is a horrifically entertaining must-have box set, and will be available at the collectible price of $42.92 SRP.

The Exorcist (Original Version)

This is the original theatrical version of the film that scared the world! The Exorcist delivered a cultural earthquake that is still felt today, shocking and enthralling audiences, who had never seen anything like it. Directed by William Friedkin and written by William Peter Blatty (from his best-selling novel), The Exorcist won the Academy Award for Best Adapted Screenplay.

The film tells the now-famous story of a girls demonic possession, and a gripping fight between good and evil. Linda Blair plays the young girl, Regan, who starts to exhibit strange, arcane behavior. Her mother (Ellen Burstyn, Oscar-winner for Best Actress Alice Doesnt Live Here Anymore) calls upon a priest, Father Karras (Jason Miller) to investigate. But Karras, who has self-doubts about faith, is suddenly confronted with unimaginable evil of Regans possession. When Father Lankester Merrin (Max Von Sydow), a priest with a mysterious past, is called to help, a horrific battle for her soul begins.

The Exorcist: Version Youve Never Seen

This remastered edition of The Exorcist proved to be a huge box-office draw, decades after its initial theatrical release. Director William Friedkin added previously unseen footage, including a horrifying spiderwalk scene that is as jaw-dropping and spellbinding as the best scenes of the original version. With remixed sound and an expanded story, this version of The Exorcist is a must-see for every fan of the film.

Exorcist II: The Heretic

Richard Burton (Whos Afraid of Virginia Woolf, The Sandpiper) stars as Father Lamont, a priest who answers the call to fight the forces of evil. Once again, Regan (Linda Blair) is threatened with demonic possession, and Father Lamont must first travel to Africa to find out how to stop the madness. This time, however, the demon not only threatens Regan, it reaches out for the soul of Father Lamont as well.

Exorcist II: The Heretic also stars Louise Fletcher (TVs ER), Kitty Winn, Paul Henreid (Casablanca), James Earl Jones (Star Wars), Ned Beatty (Deliverance) and Max Von Sydow (Minority Report).

The Exorcist III

Written and directed by Blatty, The Exorcist III stars George C. Scott (Academy Award winner, Best Actor Patton), as a police investigator pitted against the supernatural. The events from the original The Exorcist have spawned an unholy serial killer, a vengeful spirit who resides within a priest. Lt. Kinderman (Scott) must join forces with the church in a desperate bid to stop a malignant evil from spreading, while the stakes for an exorcism prove more dangerous than ever. The Exorcist III also stars Ed Flanders, Brad Dourif, Jason Miller and Nicol Williamson (Spawn, Excalibur).

Exorcist: The Beginning

In one of two thrilling prequel versions to The Exorcist Director Renny Harlin (The Covenant, Cliffhanger, Die Hard 2) delivers a pulse-pounding tale of Father Merrins first encounter with the demon Pazuzu, years before the events of The Exorcist. Stellan Skarsgrd (Pirates Of The Caribbean: Dead Mans Chest) plays Father Merrin, who tries to put his past confrontation with the Nazi evil of World War II behind him. While on an archeological expedition to Africa, Merrin finds a long-secret church, hidden where it shouldnt be. As the expedition digs further, they uncover something awful, ancient and very much alive something that drives all who come in contact with it to madness and worse. Loaded with action and sizzling special effects, Exorcist: The Beginning delivers a bold new chapter in The Exorcist saga.

Dominion: Prequel To The Exorcist

This is a completely different version of Father Merrins first encounter with Pazuzu. Director Paul Schrader (writer of Taxi Driver and Raging Bull) delivers a dark adventure of psychological horror, as Father Merrin (again played by Stellan Skarsgrd) wrestles with his personal demons. Forced to make a horrible life and death choice during World War II, Merrin is scarred by the Nazi atrocities of the war, and haunted by his own feelings of guilt. On an archeological trip to Africa, an ancient church is uncovered, and demonic forces are unleashed. As violence and horror descend upon the expeditions camp, Merrin battles to retain his humanity as the forces of the demon threaten his very soul.

Running Time

The Exorcist Run Time: 122 minutes
Dolby Digital 5.1 Surround Sound English Audio French subtitles

The Exorcist: The Version Youve Never Seen 132 minutes Dolby Digital 5.1 Surround Sound English Audio French subtitles

Exorcist II: The Heretic: 118 minutes Dolby Digital 2.0 Sound English audio French, Spanish subtitles

The Exorcist III: 110 minutes Dolby Digital 5.1 Surround Sound English audio

Exorcist: The Beginning Run Time: 114 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

Dominion: Prequel To The Exorcist Run Time: 117 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

The Exorcist
The Exorcist: The Version Youve Never Seen
Exorcist II: The Heretic
The Exorcist III
Exorcist: The Beginning
Dominion: Prequel To The Exorcist

For the first time ever, every movie in the Exorcist story will be available in one six-disc, must-have DVD box set — The Exorcist: The Complete Anthology –available from Warner Home Video on October 10.

A cinema landmark, The Exorcist re-defined the modern horror movie, and has been acknowledged as one of the scariest movies ever made. Its enduring legacy has spawned the unforgettable set of films in this anthology: The Exorcist: The Version Youve Never Seen, Exorcist II: The Heretic, The Exorcist III, Exorcist: The Beginning and Dominion: Prequel to The Exorcist.

The Exorcist: The Complete Anthology is a horrifically entertaining must-have box set, and will be available at the collectible price of $42.92 SRP.

The Exorcist (Original Version)

This is the original theatrical version of the film that scared the world! The Exorcist delivered a cultural earthquake that is still felt today, shocking and enthralling audiences, who had never seen anything like it. Directed by William Friedkin and written by William Peter Blatty (from his best-selling novel), The Exorcist won the Academy Award for Best Adapted Screenplay.

The film tells the now-famous story of a girls demonic possession, and a gripping fight between good and evil. Linda Blair plays the young girl, Regan, who starts to exhibit strange, arcane behavior. Her mother (Ellen Burstyn, Oscar-winner for Best Actress Alice Doesnt Live Here Anymore) calls upon a priest, Father Karras (Jason Miller) to investigate. But Karras, who has self-doubts about faith, is suddenly confronted with unimaginable evil of Regans possession. When Father Lankester Merrin (Max Von Sydow), a priest with a mysterious past, is called to help, a horrific battle for her soul begins.

The Exorcist: Version Youve Never Seen

This remastered edition of The Exorcist proved to be a huge box-office draw, decades after its initial theatrical release. Director William Friedkin added previously unseen footage, including a horrifying spiderwalk scene that is as jaw-dropping and spellbinding as the best scenes of the original version. With remixed sound and an expanded story, this version of The Exorcist is a must-see for every fan of the film.

Exorcist II: The Heretic

Richard Burton (Whos Afraid of Virginia Woolf, The Sandpiper) stars as Father Lamont, a priest who answers the call to fight the forces of evil. Once again, Regan (Linda Blair) is threatened with demonic possession, and Father Lamont must first travel to Africa to find out how to stop the madness. This time, however, the demon not only threatens Regan, it reaches out for the soul of Father Lamont as well.

Exorcist II: The Heretic also stars Louise Fletcher (TVs ER), Kitty Winn, Paul Henreid (Casablanca), James Earl Jones (Star Wars), Ned Beatty (Deliverance) and Max Von Sydow (Minority Report).

The Exorcist III

Written and directed by Blatty, The Exorcist III stars George C. Scott (Academy Award winner, Best Actor Patton), as a police investigator pitted against the supernatural. The events from the original The Exorcist have spawned an unholy serial killer, a vengeful spirit who resides within a priest. Lt. Kinderman (Scott) must join forces with the church in a desperate bid to stop a malignant evil from spreading, while the stakes for an exorcism prove more dangerous than ever. The Exorcist III also stars Ed Flanders, Brad Dourif, Jason Miller and Nicol Williamson (Spawn, Excalibur).

Exorcist: The Beginning

In one of two thrilling prequel versions to The Exorcist Director Renny Harlin (The Covenant, Cliffhanger, Die Hard 2) delivers a pulse-pounding tale of Father Merrins first encounter with the demon Pazuzu, years before the events of The Exorcist. Stellan Skarsgrd (Pirates Of The Caribbean: Dead Mans Chest) plays Father Merrin, who tries to put his past confrontation with the Nazi evil of World War II behind him. While on an archeological expedition to Africa, Merrin finds a long-secret church, hidden where it shouldnt be. As the expedition digs further, they uncover something awful, ancient and very much alive something that drives all who come in contact with it to madness and worse. Loaded with action and sizzling special effects, Exorcist: The Beginning delivers a bold new chapter in The Exorcist saga.

Dominion: Prequel To The Exorcist

This is a completely different version of Father Merrins first encounter with Pazuzu. Director Paul Schrader (writer of Taxi Driver and Raging Bull) delivers a dark adventure of psychological horror, as Father Merrin (again played by Stellan Skarsgrd) wrestles with his personal demons. Forced to make a horrible life and death choice during World War II, Merrin is scarred by the Nazi atrocities of the war, and haunted by his own feelings of guilt. On an archeological trip to Africa, an ancient church is uncovered, and demonic forces are unleashed. As violence and horror descend upon the expeditions camp, Merrin battles to retain his humanity as the forces of the demon threaten his very soul.

Running Time

The Exorcist Run Time: 122 minutes
Dolby Digital 5.1 Surround Sound English Audio French subtitles

The Exorcist: The Version Youve Never Seen 132 minutes Dolby Digital 5.1 Surround Sound English Audio French subtitles

Exorcist II: The Heretic: 118 minutes Dolby Digital 2.0 Sound English audio French, Spanish subtitles

The Exorcist III: 110 minutes Dolby Digital 5.1 Surround Sound English audio

Exorcist: The Beginning Run Time: 114 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

Dominion: Prequel To The Exorcist Run Time: 117 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

The Exorcist
The Exorcist: The Version Youve Never Seen
Exorcist II: The Heretic
The Exorcist III
Exorcist: The Beginning
Dominion: Prequel To The Exorcist

For the first time ever, every movie in the Exorcist story will be available in one six-disc, must-have DVD box set — The Exorcist: The Complete Anthology –available from Warner Home Video on October 10.

A cinema landmark, The Exorcist re-defined the modern horror movie, and has been acknowledged as one of the scariest movies ever made. Its enduring legacy has spawned the unforgettable set of films in this anthology: The Exorcist: The Version Youve Never Seen, Exorcist II: The Heretic, The Exorcist III, Exorcist: The Beginning and Dominion: Prequel to The Exorcist.

The Exorcist: The Complete Anthology is a horrifically entertaining must-have box set, and will be available at the collectible price of $42.92 SRP.

The Exorcist (Original Version)

This is the original theatrical version of the film that scared the world! The Exorcist delivered a cultural earthquake that is still felt today, shocking and enthralling audiences, who had never seen anything like it. Directed by William Friedkin and written by William Peter Blatty (from his best-selling novel), The Exorcist won the Academy Award for Best Adapted Screenplay.

The film tells the now-famous story of a girls demonic possession, and a gripping fight between good and evil. Linda Blair plays the young girl, Regan, who starts to exhibit strange, arcane behavior. Her mother (Ellen Burstyn, Oscar-winner for Best Actress Alice Doesnt Live Here Anymore) calls upon a priest, Father Karras (Jason Miller) to investigate. But Karras, who has self-doubts about faith, is suddenly confronted with unimaginable evil of Regans possession. When Father Lankester Merrin (Max Von Sydow), a priest with a mysterious past, is called to help, a horrific battle for her soul begins.

The Exorcist: Version Youve Never Seen

This remastered edition of The Exorcist proved to be a huge box-office draw, decades after its initial theatrical release. Director William Friedkin added previously unseen footage, including a horrifying spiderwalk scene that is as jaw-dropping and spellbinding as the best scenes of the original version. With remixed sound and an expanded story, this version of The Exorcist is a must-see for every fan of the film.

Exorcist II: The Heretic

Richard Burton (Whos Afraid of Virginia Woolf, The Sandpiper) stars as Father Lamont, a priest who answers the call to fight the forces of evil. Once again, Regan (Linda Blair) is threatened with demonic possession, and Father Lamont must first travel to Africa to find out how to stop the madness. This time, however, the demon not only threatens Regan, it reaches out for the soul of Father Lamont as well.

Exorcist II: The Heretic also stars Louise Fletcher (TVs ER), Kitty Winn, Paul Henreid (Casablanca), James Earl Jones (Star Wars), Ned Beatty (Deliverance) and Max Von Sydow (Minority Report).

The Exorcist III

Written and directed by Blatty, The Exorcist III stars George C. Scott (Academy Award winner, Best Actor Patton), as a police investigator pitted against the supernatural. The events from the original The Exorcist have spawned an unholy serial killer, a vengeful spirit who resides within a priest. Lt. Kinderman (Scott) must join forces with the church in a desperate bid to stop a malignant evil from spreading, while the stakes for an exorcism prove more dangerous than ever. The Exorcist III also stars Ed Flanders, Brad Dourif, Jason Miller and Nicol Williamson (Spawn, Excalibur).

Exorcist: The Beginning

In one of two thrilling prequel versions to The Exorcist Director Renny Harlin (The Covenant, Cliffhanger, Die Hard 2) delivers a pulse-pounding tale of Father Merrins first encounter with the demon Pazuzu, years before the events of The Exorcist. Stellan Skarsgrd (Pirates Of The Caribbean: Dead Mans Chest) plays Father Merrin, who tries to put his past confrontation with the Nazi evil of World War II behind him. While on an archeological expedition to Africa, Merrin finds a long-secret church, hidden where it shouldnt be. As the expedition digs further, they uncover something awful, ancient and very much alive something that drives all who come in contact with it to madness and worse. Loaded with action and sizzling special effects, Exorcist: The Beginning delivers a bold new chapter in The Exorcist saga.

Dominion: Prequel To The Exorcist

This is a completely different version of Father Merrins first encounter with Pazuzu. Director Paul Schrader (writer of Taxi Driver and Raging Bull) delivers a dark adventure of psychological horror, as Father Merrin (again played by Stellan Skarsgrd) wrestles with his personal demons. Forced to make a horrible life and death choice during World War II, Merrin is scarred by the Nazi atrocities of the war, and haunted by his own feelings of guilt. On an archeological trip to Africa, an ancient church is uncovered, and demonic forces are unleashed. As violence and horror descend upon the expeditions camp, Merrin battles to retain his humanity as the forces of the demon threaten his very soul.

Running Time

The Exorcist Run Time: 122 minutes
Dolby Digital 5.1 Surround Sound English Audio French subtitles

The Exorcist: The Version Youve Never Seen 132 minutes Dolby Digital 5.1 Surround Sound English Audio French subtitles

Exorcist II: The Heretic: 118 minutes Dolby Digital 2.0 Sound English audio French, Spanish subtitles

The Exorcist III: 110 minutes Dolby Digital 5.1 Surround Sound English audio

Exorcist: The Beginning Run Time: 114 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

Dominion: Prequel To The Exorcist Run Time: 117 minutes Dolby Digital 5.1 Surround Sound English audio French, Spanish subtitles

Featuring an all-new, digitally remastered and fully restored picture, as well as 7.1 surround sound, the JAWS Blu-ray Combo Pack with DVD, Digital Copy and UltraViolet gives fans the ultimate way to watch the breathtaking and terrifying action-thriller.

One of the most influential motion pictures of all time and nominated for a Best Picture Oscar, JAWS stars Oscar winner Richard Dreyfuss and Oscar nominees Roy Scheider and Robert Shaw. Produced by legendary filmmakers Richard D. Zanuck and David Brown, the film earned an Oscar^® for composer John Williams’ instantly recognizable minimalist score, as well as Oscars for Best Editing and Best Sound. When it was first released in 1975, JAWS smashed box-office records and became the highest-grossing film of its era, earning Spielberg a reputation as a Hollywood visionary. Today, it remains one of the highest-grossing films in history and is largely considered the film that launched the summer blockbuster.

JAWS is one of 13 classic Universal films to be digitally remastered and fully restored from 35mm original film elements as part of Universal’s ongoing 100^th Anniversary celebration. The JAWS restoration began with researching and evaluating the existing film elements to determine the best means to restore the film.

Over the course of several months, skilled technicians at Universal Studios Digital Services meticulously balanced color, removed dirt and scratches, and repaired any damage to the film elements shot by shot and frame by frame. Following the picture restoration, Universal Studios Sound team up-mixed the iconic JAWS soundtrack to DTS-HD Master 7.1, optimizing the sound on the Blu-ray^TM for the latest home theater technology. The entire restoration process was conducted in conjunction with Steven Spielberg and Amblin Entertainment’s post-production team to ensure the integrity of Spielberg’s original vision remained intact.

“JAWS holds a unique place, not just in Universal Pictures’ history, but in global pop culture,” said Craig Kornblau, President of Universal Studios Home Entertainment. “It is only fitting that this phenomenal film should be given the extensive restoration needed to ensure that long-time fans as well as newcomers can enjoy this unforgettable cinematic achievement for generations to come.”

The JAWS Blu-ray Combo Pack is available in collectible Universal 100^thAnniversary packaging for a limited time. The Combo Pack also contains a Digital Copy of the film for a limited time, compatible with iTunes®, iPad®, iPhone®, iPod™ touch, Android or online retail partners, as well as an UltraViolet™ copy. UltraViolet is the revolutionary new way for consumers to collect movies and TV shows in the cloud to download and stream instantly to computers, tablets and smartphones. Consumers can now truly enjoy their movies anytime, anywhere on the platform of their choice.

Blu-ray^™ Bonus Features:

· The Shark is Still Working: The Impact & Legacy of JAWS: All-new feature-length documentary featuring never-before-seen footage and interviews with cast and crew including Steven Spielberg, Richard Dreyfuss and Roy Scheider.

· JAWS: The Restoration: An all-new, in-depth look at the intricate process of restoring the movie.

· The Making of JAWS: A two-hour documentary featuring interviews with key cast and crew.

· From the Set: An insider’s look at life on the set of JAWS, featuring an interview with Steven Spielberg.

· Deleted Scenes & Outtakes

· JAWS Archives: Take a peek inside the JAWS archives, including storyboards, production photos and marketing materials, as well as a special segment on the JAWS phenomenon.

· Original Theatrical Trailer

· UltraViolet: The revolutionary new way for consumers to collect movies and TV shows, store them in the cloud, and download and stream instantly to computers, tablets and smartphones. Currently available in the United States only.

· Digital Copy: Viewers can redeem a digital version of the full-length movie from a choice of retail partners to watch on an array of electronic and portable devices.

· pocket BLU App: The popular free pocket BLU^™ app for smartphones is now even better with newly updated versions for iPad^®, Android^™ tablets, PC and Macintosh computers, with features made especially to take advantage of the devices’ larger screens and high resolution displays.

• Advanced       Remote Control: A sleek,       elegant new way to operate your Blu-ray^™ player. Users can       navigate through menus, playback and BD-Live^™ functions with       ease.
• Video       Timeline: Users can       easily bring up the video timeline, allowing them to instantly access any       point in the film.
• Mobile-To-Go:       Users can unlock a selection of       bonus content with their Blu-ray discs to save to their device or to       stream from anywhere there is a Wi-Fi network, enabling them to enjoy       content on the go, anytime, anywhere.
• Browse       Titles: Users will have       access to a complete list of pocket BLU^™-enabled titles       available and coming to Blu-ray^™. They can view free previews       and see what additional content is available to unlock on their device.
• Keyboard:       Entering data is fast and easy       with your device’s intuitive keyboard.

· BD-LIVE^™: Access the BD-Live^™ Center through your Internet-connected player to access the latest trailers, exclusive content and more!

DVD Bonus Features:

· Spotlight on Location: The Making of JAWS: Highlights from the full-length documentary featuring interviews with key cast and crew.

Cast

Police Chief Martin Brody (Roy Scheider)

Quint (Robert Shaw)

Matt Hooper (Richard Dreyfuss)

Ellen Brody (Lorraine Gary)

Mayor Larry Vaughn (Murray Hamilton)

Meadows (Carl Gottlieb)

Deputy Hendricks (Jeffrey Kramer)

Chrissie Watkins (Susan Backlinie )

Cassidy (Jonathan Filley)

Estuary Victim (Ted Grossman)

Running time: 124 Minutes