It’s worth renting the 1981 version (it just came out on Blue-ray DVD), which is the last feature film from creative genius and special effects wizard, Ray Harryhausen. A disciple of stop-motion pioneer Willis O’Brien (“King Kong”), Harryhausen adapted the techniques O’Brien developed and created his own film genre from the 1950s to the 1980s utilizing his own stop-motion animation process eventually identified as “Dynamation.” (See below)
Big and flat, noisy and silly, this “Clash of the Titans” is hampered by arbitrary, preposterous storytelling that even great actors like Liam Neeson and Ralph Fiennes, slick visual style courtesy of ace lenser Peter Menzies, and state of the art CGI effects can’t compensate for the many various shortcomings.
Besides Clash of the Titans, some of his memorable special/visual effects films include “The Beast from 20,000 Fathoms” (1953), “It Came from Beneath the Sea” (1955), “The 7th Voyage of Sinbad” (1958), “Jason and the Argonauts” (1963), “One Million Years, B.C.” (1966), “The Valley of Gwangi” (1969), and “The Golden Voyage of Sinbad” (1974).
Cast
Perseus – Sam Worthington
Zeus – Liam Neeson
Hades – Ralph Fiennes
Calibos/King Acrisius – Jason Flemyng
Io – Gemma Arterton
Andromeda – Alexa DavalosDanae – Tine Stapelfeldt
Draco – Mads Mikkelsen
Credits
Warner release presented in association with Legendary Pictures of a Thunder Road Film/Zanuck Co. production.
Produced by Basil Iwanyk, Kevin De La Noy.
Executive producers, Richard D. Zanuck, Thomas Tull, Jon Jashni, William Fay. Directed by Louis Letterier.
Screenplay, Travis Beacham, Phil Hay, Matt Manfredi, based on the motion picture directed by Desmond Davis and written by Beverley Cross.
Camera (Technicolor, Panavision widescreen), Peter Menzies Jr.
Editors, Martin Walsh, Vincent Tabaillon.
Music, Ramin Djawadi; production designer, Martin Laing; supervising art directors, Troy Sizemore, Gary Freeman.
Costume designer, Lindy Hemming.
Sound, Ivan Sharrock; supervising sound editor, James Mather; visual effects supervisor, Nick Davis; prosthetics supervisor, Conor O’Sullivan; special effects and animatronics supervisor, Neil Corbould; stunt coordinator, Paul Jennings.
Associate producers, Karl McMillan, Brenda Berrisford; assistant director, Terry Needham; second unit director/camera, Martin Kenzie.